Review: 'Nervous Laughter' touches a nerve

Ivy Cooper; Phillip Robinson

Review: 'Nervous Laughter' touches a nerve

Ivy Cooper, Phillip Robinson

University of Missouri-St. Louis

Research output: Other contribution

Abstract

This article first appeared in the St. Louis Beacon: September 17, 2008 - For Nervous Laughter at the Philip Hitchcock Gallery, Leslie Holt has curated a large group of works guaranteed to touch a nerve somewhere, depending on your personal proclivities, religion, politics or the line you draw between public information and private sensibilities. Holt, one of St. Louis' most prolific and savvy painters, never goes overboard with this show; but these works do bump up against those boundaries of decorum that Hitchcock himself is fond of pushing.

Original language	American English
State	Published - Sep 17 2008

Keywords

St. Louis Beacon Archives
visual art

Disciplines

Arts and Humanities

Cite this

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AB - This article first appeared in the St. Louis Beacon: September 17, 2008 - For Nervous Laughter at the Philip Hitchcock Gallery, Leslie Holt has curated a large group of works guaranteed to touch a nerve somewhere, depending on your personal proclivities, religion, politics or the line you draw between public information and private sensibilities. Holt, one of St. Louis' most prolific and savvy painters, never goes overboard with this show; but these works do bump up against those boundaries of decorum that Hitchcock himself is fond of pushing.

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Review: 'Nervous Laughter' touches a nerve

Abstract

Keywords

Disciplines

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Cite this